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| Issue |
Title |
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| Vol 24, No 1 (2024): April |
Journeying Filipinas: Classification of Travel Writings by Filipino Women Travelers |
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Chloe Intruso Cadiz |
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| Vol 24, No 2 (2024): October |
Countering Gender Stereotypes: The Power of the Main Female Character in Thor: Ragnarok Movie (2017) |
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Lailatul Fitriyah, Sukarno Sukarno, Riskia Setiarini, Albert Tallapessy |
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| Vol 24, No 1 (2024): April |
Challenging Patriarchal Culture of Taliban Regime: A Woman Struggles in Qaderi’s Dancing in The Mosque |
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Epata Puji Astuti, Fernisya Abellya |
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| Vol 22, No 2 (2022): October |
Transcending Hegemonic Phallic-Culture and Imaginaries: Afropolitan Feminism and Relocation as an Emancipatory Metaphor |
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Okwudiri Anasiudu |
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| Vol 22, No 1 (2022): April |
Black Feminism Reflected through The Narrator’s Responses of Women Oppression In Maya Angelou’s Memoir: A Letter To My Daughter |
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Elly Santi Pertiwi, Ni Luh Putu Rosiandani |
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| Vol 21, No 1 (2021): April |
Kartini and Srikandi: Representation of Women in Indonesian Political Discourse through Metonymy |
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Muhammad Adam, Siti Hafsah, Wahyuni Wahyuni |
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| Vol 23, No 2 (2023): October |
Threads of Tradition: Native American Women’s Resistance and Resilience in Piatote’s “Beading Lesson” |
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Elisabeth Oseanita Pukan, Ni Luh Putu Rosiandani, Tatang Iskarna |
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| Vol 22, No 2 (2022): October |
The Language of Violence against Women: Male Voice Domination in the Public and Private Domains |
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Fransisca Kristanti |
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| Vol 22, No 1 (2022): April |
Revisiting Feminist Strategies in Poetry: Gender, Genre, and Power Relation |
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A.B. Sri Mulyani |
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| Vol 21, No 2 (2021): October |
Oppression towards Women as Depicted in Marge Piercy’s Selected Poems |
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Diksita Galuh Nirwinastu |
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| Vol 17, No 2 (2017): October |
Self-Determination to Fight Oppressions as Seen in the Main Character of The Color Purple by Alice Walker |
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Levita Setya Budi, Dewi Widyastuti |
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| Vol 19, No 1 (2019): April |
Voicing The Other : Patrick Sweetings Perspective in Jaipong Dancer |
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Epata Puji Astuti |
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