GOFFMAN DRAMATURGY OF MOVEMENT CONCEPT IN SETAN JAWA FILM BY GARIN NUGROHO

Agustina Kusuma Dewi, Yasraf Amir Piliang, Irfansyah Irfansyah, Acep Iwan Saidi

Abstract


DramaturgyGoffmanncloselyrelatedtothemodeloftheinteractionbetweenthepersonabyassumingthatamodeofsocialrelationsasastageshow.Thereareself-raised,therearepurposelyhiddenformanagementtocreateacertainimpression.SetanJawaFilmbyGarinNugroho,asanartfilm,theissueofmovementasthemediasaidthefilmthatmarkstheculturalcodeofJavatointeract.Thisstudyaimstoidentifytheperceptionofmotionapplicabletothe'movement'inSetanJawaFilmusingtestquestionnaireresponsesontheperceptionofrespondentsfromdiverseethnic,whichwaslaterconfirmedbythemethodofFocusedGroupDiscussionwithGoffmannDramaturgyanalysisasthebasisofinterpretation.


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DOI: https://doi.org/10.24071/ijhs.v3i2.2339

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